Cast
- King Hildebrand
-
John Bowden
- Hilarion
-
Philip Bingham
- Cyril
-
Alan Carlisle
- Florian
-
Kevin Jones
- King Gama
-
Ian Hamilton
- Arac
-
Nigel Sheldon
- Guron
-
Garetn Millward
- Synthius
-
Philip Sweet
- Princess Ida
-
Rosalind Griffiths
- Lady Blanche
-
Liz Chapman
- Lady Psyche
-
Janet Wunderley
- Melissa
-
Pamela Searle
- Sacharissa
-
Hilary Bestow
- Chloe
-
Clare Price-Smith
- Ada
-
Elizabeth Parkes
- Ladies of the Chorus
-
Marie Barter, Margot Blackburn, Penelope Currall, Gywn Griffiths, Brenda Hardman, Ann Harris, Nora Kelly, Marion Lamb, Marry McBratney, Gillian McDonought, Hellen Miller, Joyce Ogden, Hulia Sturrock, Gill Wright
- Gentlemen of the Chorus
-
Rupert Bottomley, Eric Franklin, Mike Harris, Neil Hewett, John Humphreys, Michael Langord, Michael Lean, James Ogden, Don Pettengill, Anthony Royle
Production
- Producer
-
Marjorie Holt
- Musical Director
-
John E. Bethell
- Stage Manager
-
Paul Robinson
- Assistant Stage Manager
-
Alan Wagstaff, Peter Spencer
- Lighting Manager
-
David Evans, Joyce Ogden
- Make-Up
-
Jean Corfield
- Make-Up Assistants
-
Sally Horn, Jenny Heslop
- Front of House Manager
-
David Littley
- Tickets Secretary
-
Michael Lean
- Programme Photographs
-
Paul Robinson, Eric Franklin
- Cover Design
-
Eric Franklin
- Society Accompanists
-
Mike Harris, David Littley
Notes
Notes
In the event of a power failure patrons are requested to remain seated until directed to move by one of the stewards.
Chairman's Page
Ladies and Gentlemen,
Welcome to this, our twenty-fifth anniversary production. "Princess Ida" is probably the most ambitious show we have ever staged and we hope it will be our most successful too. Our producer this year, Marjorie Holt, is a newcomer to the society, whilst our musical director makes a welcome return after six years.
Though 1972 is our Silver Jubilee year our continued existence has recently been threatened by possible future legislation concerning Students Unions. Should the proposals become law, we should lose one of our principal sources of income. May I therefore bring to your attention our patronage scheme?
Patrons receive a ticket for the show on the night of their choice, their names appear in the programme and they are sent frequent news of other society activities - all this for an annual fee of 1 pound (or more if anyone should feel so generous!) Further details can be obtained from the Society Secretary via the University Union.
In conclusion I hope sincerely that you will enjoy the show as much as we have enjoyed its rehearsal.
Philip Swee
Music
Complete recordings of this show (and all from 1964 onwards) can be purchased on CD from Mike Harris, our Society Archivist
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